Faith that refuses to be
relative
Stephen
Curkpatrick
Humans
live within some form of meta-narrative, whether they are aware of this or not.
A meta-narrative is an over-arching or comprehensive view of reality that binds
together disparate aspects of life with coherent meaning.
What
is generally called “postmodernism” is a quest to contest meta-narratives, asserting
difference and diversity instead.
Contesting
meta-narratives is not new. Most expressions of Protestant Reformation contested
some form of church-state meta-narrative, even if some of these also endorsed
new expressions of church-state identity.
The
impetus of Enlightenment was to contest any authoritative meta-narrative identified
with an institutional or state sponsored church. Such church narratives were increasingly
displaced by a rational meta-narrative in the eighteenth century, but not without
Christian gospel having a pervasive impact through expressions of renewal, distinguishing
between gospel and church formalism in articulation of distinctive Christian identity.
Along
with rationalism, a scientific meta-narrative assumed dominance, until in the
nineteenth century, an emerging modern narrative of inexorable progress prevailed.
By variously evolved discourses, postmodernism now contests this meta-narrative.
While
postmodernism can be a vague designation, it has an identifiable feature—to contest
any claim to the status of meta-narrative. Yet invariably, humans adhere to some
form of meta-narrative that promises to give coherent meaning to their lives.
v
By
contrast to any received cultural or newly constructed meta-narrative, Christian
faith gives testimony to a word otherwise. This testimony endorses human life
but exposes meta-narratives as inadequate to the mortal horizon within which,
each in anxiety and usually in tribes, seeks to secure a place under the sun—the
beginning of Pascal’s coup d’état of the whole earth.
While
articulating a positive view of human life, the consistent disclosure of biblical
apocalypse calls into question human meta-narratives, announcing their destructive
hubris as demonstrative expressions of human sinfulness wrought from anxiety.
Babel is the enduring symbol of human hubris anxiously seeking to construct a
meta-narrative in a name that promises to secure humanity’s unity.
Biblical
apocalypse and postmodernism both contest meta-narratives and their presumption
to speak for humanity. Postmodern discourses level meta-narratives to relative
expressions of different cultural, moral and social values, with no one narrative
able to claim distinction above any other.
Christian
testimony exposes human nakedness beyond any exposé of human life articulated
within postmodern discourses. While Christians speak of human sinfulness, a postmodern
perspective can only succumb to the numbing effects of not aspiring to any claim
beyond a profusion of relative claims, each juxtaposed with others as so many
tribal expressions of human existence.
Postmodernism’s
emphatic elevation of “the other”* excludes feasible critique of the attitudes
or actions of any narrative. Yet postmodernism harbours an implicit meta-narrative—a
tacit axiom that all narratives are acceptable, except narratives that are presumably
not tolerant of other narratives.
Tolerance
within assertions that all narratives are relative is a surreptitious meta-narrative.
Elevation
of tolerance permits no distinctive imperative for human life beyond the celebration
of discrete but relative tribal differences. Yet tribes divide over the perception,
articulation and expression of their meta-narratives.
Within
any tribe, differences over a shared meta-narrative can be vicious, even as tolerance
is extended to other meta-narratives—in the same way a lion respects an elephant
but will kill the cubs of another lion.
Tolerance
may be the only plausible strategy to sustain a secular society in which diverse
religious and non-religious people can participate as equals, but it is an inadequate
response to the phenomenon of violence within intractable human differences.
v
The
prevailing impetus of biblical testimony contests human meta-narratives, to offer
a word otherwise that is not of human origin or relative among many narratives,
even if it is expressed in familiar words and images for our hearing in diverse
times and places.
Christian
gospel offers a sovereign story, otherwise than any of our own conjuring, expressed
through the call of Abraham and God’s creativity in Isaac as the unique source
of Israel’s existence and distinction, culminating in a messianic trajectory that
is lived and articulated for all nations as life in Christ crucified and risen.
By
presenting the humility of God in Christ, any appeal to “God” as the supreme form
of tribal meta-narrative is subverted by the gospel. If the meta-narrative appeal
to theism is subverted, every lesser claim to meta-narrative status is called
into question.
Christian
faith offers an enduring narrative in the paradox of complete self-giving that
is also the triumph of triune life in love. This paradox offers an alternative
approach to life that is not caught in the grip of tribal anxiety in living toward
death but by trust in Christ as risen, finds life in being resourced to lose it
for others.
New
Testament testimony articulates a unique possibility for humanity as the future
of God becoming present in Jesus Christ. This is eschatology—the end in the
midst of time—which is intrinsic to gospel narrative as unlike any meta-narrative.
In
testimony to the gospel, Christian faith calls every meta-narrative into question
while offering humanity, by refusing meta-narratives, good news for meaningful
existence in the midst of creation. Christian faith refuses definition by culture,
religion, state or philosophy. It exceeds these, even if customs, rituals, legislation
or ideals are deployed to define Christian faith as a form of tribal identity.
Regardless of how venerable any such tribe has become and whatever respect it
appears to command within society, these are surpassed in Christian identity.
What
Christian faith articulates is nothing like a cultural religious meta-narrative,
of which Caiaphas is representative or a state meta-narrative, of which Pilate
is representative. Any expression of Christian faith that seeks to secure eminence
by its social and cultural alliances, has assumed the status of a civic meta-narrative
instead. In a postmodern milieu, it will also be critiqued and levelled along
with other such narratives.
Intrinsic
to any religious adherence is a belief that a particular meta-narrative is essential
to human wholeness, dignity and destiny. Within a postmodern perspective, the
phenomenon of religion consists of relative narratives, with no religion able
to claim meta-narrative status for humanity. To assert an equivalence of religions
in their diversity is the only feasible view to have within such a perspective.
Where
Christians, in apprehension of and in deference to the contemporary critique of
meta-narratives, also regard Christian faith as relative, they can only offer
other Christians self contempt and malaise in the guise of generalising imperatives
to tolerance. Yet tolerance is not love; it does not love the unlovely. Tolerance
can be reluctant recognition that smoulders with calculated indifference.
Before
the gospel, expressions of Christian faith that have become aligned with any status
quo, including a tacit status quo of tolerant relativity, are called to hear a
word otherwise. This is a source of veracity in testimony to grace—beyond the
scope of human initiative or reduction of human yearning to a relative perspective
among many perspectives.
*
See Who is my "other"?